Academic publishing as 'creative' industry and recent discourses of 'creative economies': some critical reflections

By Chrissie Gibson, Natascha Klocker. 2004

153 citations recorded by the source corpus.

Subfields: General Agricultural and Biological Sciences, Urban Studies

View Paper: https://www.semanticscholar.org/paper/f64975c22d59d26d935c3cfc8056272245ff83d1

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In General Agricultural and Biological Sciences

1. J. Foord
2. Graeme Evans
3. Lily Kong
4. Chrissie Gibson

In Urban Studies

1. Graeme Evans
2. Chrissie Gibson
3. Lily Kong
4. J. Foord
5. A. Semple
6. L. Khoo
7. David Bell
8. M. Jayne

Citations in the corpus

• Cultural economy: a critical review (2005, background): “Yet, as argued in greater detail elsewhere (Gibson and Klocker, 2003; 2004), those who seek opportunities to publish 'popular' academic books on cultural economy have also been particularly adept at constructing an industry out of their own work - a parallel perhaps to what Langbauer (1993) earlier…”
• Strategies for creative industries: an international review (2009, background): “Similar advocacy strategies for identifying the scope of the creative industries have been adopted in Australia and New Zealand using approaches derived from the UK DCMS.4 However, there is a debate, particularly in Australia, over the transferability of this approach (Stevenson 2004; Gibson and Kl”
• The creative countryside: Policy and practice in the UK rural cultural economy (2010, background): “In this era of ‘fast policy’ and ‘me-too-ism’, it was perhaps inevitable that rural areas have joined the creativity bandwagon: it would be unthinkable to claim to not be a creative place (Gibson and Klocker, 2004).”
• Creative Small Cities: Rethinking the Creative Economy in Place (2009, unknown): “In part, the excitement of the ‘me-tooism’ of the creative city model was driven by the global ‘promotional’ tour of Richard Florida in 2004 (Gibson and Klocker, 2004), which included a high-profi le leg in Australia.”
• Knowledges of the creative economy: Towards a relational geography of diffusion and adaptation in Asia (2006, background): “…in Asia, nor does it explain how via the circulation and mutation of creative economy discourses, credibility is accorded to the output of Northern thinkers (cf. Yeung, 2002; Gibson and Klocker 2004), as their ideas move through international circuits of publishing, conferencing and policy debate.”
• Creative Cities, Creative Spaces and Urban Policy (2009, background): “I call this a ‘movement’ since policy and practice are widely promoted nationally and internationally through specialist intermediaries, gurus (Gibson and Klocker, 2004) and centres (government, think-tanks, cultural, university-based), as well as government and agency-sponsored exchange through “in”