Pitch Determination of Speech Signals
By W. Hess. 1983
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
- Deliang Wang
- Fumiya Yokomori
- Xin Eric Wang
- Kenji Ozawa
- Yuxuan Wang
- Mingyang Wu
- Junichi Yamagishi
- Masanori Morise
Citations in the corpus
- WORLD: A Vocoder-Based High-Quality Speech Synthesis System for Real-Time Applications (2016, background): “F0 estimation is a topic of speech analysis, and many algorithms have been proposed for it [19].”
- Query by humming: musical information retrieval in an audio database (1995, background): “Hess [5] describes a model of the vocal cords as proposed by Hirano [6].”
- Multimedia content analysis-using both audio and visual clues (2000, unknown): “Depending on the required accuracy and complexity constraint, different methods for pitch estimation can be applied [1].”
- A mixed excitation LPC vocoder model for low bit rate speech coding (1995, background): “pulses which are often encountered in voicing transitions or in vocal fry [ 17 ].”
- Analysis and synthesis of intonation using the Tilt model. (2000, background): “Given the just noticeable difference for F0 in natural speech is about 4 Hz (Hess, 1983), the figures for the comparison between the synthesized and smoothed contours show that the synthetic contours are nearly identical to the smoothed ones.”
- A multi-pitch tracking algorithm for noisy speech (2002, background): “By considering these criteria, we choose the separation frequency of 800 Hz.”
- Text-to-Speech Synthesis (2009, background): “The classic work on pitch detection is that of Hess [202] who g ives a thorough overview of all the PDA techniques just mentioned.”
- Multi-Pitch Estimation (2009, methodology): “For an overview of non-parametric methods, we will refer the interested reader to one of the few other books on pitch estimation, namely [75] (see also [76]) and the classical paper [63]; for examples of more recent work on methods of various origins, see [41, 49, 52, 104, 105, 130, 131, 168, 169, 1”
- Techniques for Harmonic Sinusoidal Coding (1997, background): “Although this effect is widely known [4] it’s use is uncommon in current, state of the art pitch estimation algorithms.”
- PLATINUM: A method to extract excitation signals for voice synthesis system (2012, methodology): “Since sound quality of the synthesized voice depends on the estimation performance, many methods for accurately estimating each parameter have been proposed for high-quality voice synthesis [4–6].”