Capitalism and communication : global culture and the economics of information

By N. Garnham, Fred Inglis. 2001

410 citations recorded by the source corpus.

View Paper: https://www.semanticscholar.org/paper/f19095acfea1abc8052ca6a3f6d0d03b2dbe6b7e

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

1. Justin O'Connor
2. M. Banks
3. Homero Gil de Zúñiga
4. Guan Xin
5. Hernando Rojas
6. Eulàlia Puig-i-Abril
7. D. Throsby
8. K. Oakley

Citations in the corpus

• The cultural and creative industries: a review of the literature (2007, methodology): “Garnham (1990) along with Williams (1981) argued that this ‘materialism’ tended to be both too much and not enough.”
• A new modernity? (2006, background): “What has always been put into play here is the status of ‘culture’ – whether it be Adorno’s cultural pessimism (Adorno, 1991), the social democratic defence of an open media ‘public sphere’ (Garnham, 1990) or the jaunty INTERNATIONAL journal of CULTURAL studies 9(3) 04_oconnor_066874 (jk-t) 4/8/06 9”
• After the creative industries (2009, background): “The subsequent cultural industries (or ‘political economy’) critique suggested instead that culture was a commodity and thus subject to the laws of commodity production (Miège 1979, Garnham 1990).”
• The concentric circles model of the cultural industries (2008, background): “1 Of course the relationship between the cultural industries and cultural policy has been a long-standing matter for discussion within the cultural studies and political economy traditions (Garnham, 1990 ; Hartley, 2005 ; Hesmondhalgh & Pratt, 2005 ; Lewis & Miller, 2003 ; McGuigan, 2004 ; Pra”
• Modelling the cultural industries (2008, background): “Caves’ characterisation of cultural production processes follows in the footsteps of earlier work on popular culture and the media by writers in the radical sociological tradition such as Miège (1989) and Garnham (1990), as Hesmondhalgh (2007, pp. 17–25) points out.”
• Creative industries: a new direction? (2009, background): “In a context where, as Garnham (1990) (following Girard 1982) noted, the vast majority of cultural consumption was provided for by the market, then any democratic cultural policy – so it was argued – must take this into account.”
• Weblogs, traditional sources online and political participation: an assessment of how the internet is changing the political environment (2009, background): “In a media ecology in which market forces have penetrated or ‘colonized’ the structure of public communication (Garnham, 1990), the blogosphere can serve to enhance the interactive dimension of the public sphere (Dahlgren, 2005), thus preventing further decline and potentially reinvigorating it.”