Tonal Pitch Space を用いた楽曲の和声解析

By 鐘期坂本, 敏東条. 2009

366 citations recorded by the source corpus.

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The Berlin Brain–Computer Interface: Non-Medical Uses of BCI Technology (2010, background): “…and faster use of BCI, this was mainly done for communication purposes with the overall aim to help paralyzed patients (Kübler et al., 1999, 2000, 2001, 2005; Birbaumer et al., 2000, 2003; Neuper et al., 2003; Pfurtscheller et al., 2003; Birbaumer and Cohen, 2007; Dobkin, 2007; Müller-Putz et…”
Towards a generative syntax of tonal harmony (2011, methodology): “The present model is related to the GTTM, the Tonal Pitch Space model [40] or dependent approaches [15].”
A comparison of the discrete and dimensional models of emotion in music (2011, background): “Intuitively, the additional dimension of tension makes perfect sense and a great deal of the effects of music deal with patterns of tension and release (Lerdahl, 2001).”
A Theory of Tonal Hierarchies in Music (2010, methodology): “What is most relevant here is that the distance calculations in the Lerdahl (2001) model required no modification.”