ISO-MPEG-1 Audio: A Generic Standard for Coding of High-: Quality Digital Audio

By K. Brandenburg, G. Stoll. 1994

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Citations in the corpus

Audiodec: An Open-Source Streaming High-Fidelity Neural Audio Codec (2023, background): “Audio codec techniques have been applied to a variety of real-world applications such as secure communication [1,2], low-cost mobile and internet communications [3,4], and live videos and music streamings [5].”
Cascaded Cross-Module Residual Learning towards Lightweight End-to-End Speech Coding (2019, background): “Speech coding, where the encoder converts the speech signal into bitstreams and the decoder synthesizes reconstructed signal from received bitstreams, serves an important role for various purposes: to secure a voice communication [1][2], to facilitate data transmission [3], etc.”
An Efficient Subband Linear Prediction for LPCNet-Based Neural Synthesis (2020, methodology): “Inspired from speech coding[23], we allocate more computational resources to the baseband module of the neural vocoder.”
Temporal Noise Shaping with Companding (2018, methodology): “Similar to MP3 and AAC, MDCT window switching is also employed in AC-4.”
PEMO-Q—A New Method for Objective Audio Quality Assessment Using a Model of Auditory Perception (2006, background): “The worse performance of compared to PSM appears contradictory to the results presented in Section III-D, where was characterized by a higher signal independency than PSM.”
Psychoacoustic Calibration of Loss Functions for Efficient End-to-End Neural Audio Coding (2020, background): “allowing quantization error once it is under the threshold [3].”
Wavelets and Subband Coding (2013, methodology): “MUSICAM Probably the most well-known audio coding algorithm is MUSICAM (Masking-pattern Universal Subband Integrated Coding and Multiplexing) [77, 279], used in the MPEG-I standard, and thus frequently referred to as MPEG audio [38].”
Perceptual coding of digital audio (2000, methodology): “In fact, temporal masking has been used in several audio coding algorithms (e.g., [12], [63], [112], [268], and [306]).”
MP3 and AAC Explained (1999, background): “More details about Layer-3 can be found in [3] and [2].”