The Cambridge history of Western music theory

By T. Christensen. 2002

186 citations recorded by the source corpus.

Subfields: Music, Political Science and International Relations

View Paper: https://www.semanticscholar.org/paper/d9716968e1b0aa94cbc0aebd9066a4ea5a19fd83

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Citations in the corpus

• On Musical Dissonance (2012, background): “…ay 2020 Our starting point is that “tonality most often refers to the orientation of melodies and harmonies toward a referential (or tonic) pitch class” (Hyer, 2002, p. 726) – a view that has been amply corroborated experimentally (e.g., Krumhansl, 1990; Krumhansl & Kessler, 1982; Parncutt, 2011).”