Vision and art: The biology of seeing

By S. Zeki. 2002

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Display adaptive tone mapping (2008, background): “Since the pigments did not offer much contrast for dark colors, Leonardo da Vinci tended to use midrange colors for all objects, so that he could achieve the desired contrast and strong depth-from-shading effect even if the actual brightness levels were distorted [Livingstone 2002, p. 115].”