Universals in the world’s musics

By Steven Brown, J. Jordania. 2013

228 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Computer Vision and Pattern Recognition, Signal Processing

View Paper: https://www.semanticscholar.org/paper/c32506cb1f1e161f3c1c808bcefda0f0e5009520

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Cognitive Neuroscience

1. John R. Iversen
2. Aniruddh D. Patel
3. B. Johansson
4. Dwayne Engh

In Computer Vision and Pattern Recognition

1. Aniruddh D. Patel
2. John R. Iversen

In Signal Processing

1. John R. Iversen
2. Aniruddh D. Patel

Citations in the corpus

• The evolutionary neuroscience of musical beat perception: the Action Simulation for Auditory Prediction (ASAP) hypothesis (2013, background): “Music exists in every human culture, and every culture has some form of music with a beat: a perceived periodic pulse that listeners use to guide their movements and performers use to coordinate their actions (Nettl, 2000; Brown and Jordania, 2013).”
• Synchrony as an Adaptive Mechanism for Large-Scale Human Social Bonding (2016, unknown): “It is important to return to the ubiquitous human aptitude for entrainment to rhythmic beats (Clayton et al. 2005; Brown & Jordania 2011), particularly those embedded in music (e.g. Demos et al. 2012) and, in addition, the detection of human agency, which is inextricably linked with the detection…”