Trends in Gestural Control of Music

By M. Wanderley, Marc Battier. 2000

400 citations recorded by the source corpus.

How researchers see this paper

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Feature-Based Synthesis: Mapping Acoustic and Perceptual Features onto Synthesis Parameters (2006, background): “…from the user input parameters of a real-time controller to the (usually much more numerous) parameters controlling a synthesis algorithm is often both important to the expressive power of the performance system and extremely challenging (Hunt and Kirk, 2000; Hunt, 1999; Lee and Wessel, 92).”
Chunking in Music by Coarticulation (2010, background): “…or sound-modifying, but still important for performers to facilitate expressivity and articulation, or to avoid fatigue and strain injury, and may include actions such as swaying the whole upper body while producing sound with the fingers and arms (Wanderley & Battier 2000, Wanderley et al. 2005).”
Musical Gestures: concepts and methods in research (2010, background): “Communicative gestures are called semiotic gestures in (Cadoz and Wanderley 2000).”