Organizing the musical canon: the repertoires of major U.S. symphony orchestras, 1842 to 1969
By T. Dowd, Kathleen Liddle, Kimberly L. Lupo, A. Borden. 2002
92 citations recorded by the source corpus.
Subfields: Music, Sociology and Political Science, Urban Studies
View Paper: https://www.semanticscholar.org/paper/ace5d728661362c82563d5b17b9cd4c3012eab0a
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In Music
In Sociology and Political Science
Citations in the corpus
- Concentration and Diversity Revisited: Production Logics and the U.S. Mainstream Recording Market, 1940-1990 (2004, background): “Second, the emphasis on mass appeal meant that traditional forms of popular music and classical music were offered far more than emergent styles such as rhythm and blues (Dowd 2003; Dowd et al. 2002), which probably favored the majors and their established performers (Dowd & Blyler 2002).”