Profiting from Creativity? The Music Industry in Stockholm, Sweden and Kingston, Jamaica

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(How) Do (Firms in) Clusters Create Knowledge? (2005, background): “…can see that within agglomerations with ‘‘cluster initiatives’’ there is some evidence that these cluster organizations help in coordinating transactions such as bulk purchasing of inputs, in addition to acting as a distribution point for inward flows of state funding (Lundequist and Power, 2002).”
Cultural-Products Industries and Urban Economic Development (2004, background): “Indeed, such cities often seek to promote this continuity by consciously reorganizing critical sections of their internal spaces to mimic theme parks and movie sets, as exemplified by Times Square in New York, the Grove in Los Angeles, or the Potsdamer Platz in Berlin (Zukin 1991; Roost 1998). Soja ”
Toward a Reconceptualization of Regional Development Paths: Is Leipzig’s Media Cluster a Continuation of or a Rupture with the Past? (2003, methodology): “Power and Hallencreutz (2002) used the example of the Jamaican music industry to demonstrate that innovations do not necessarily result in higher profits.”