The Economics of Art and Culture

By J. H. Balfe, James Heilbrun, C. M. Gray. 2002

189 citations recorded by the source corpus.

The Economics of Art and Culture explains how art and culture function within the larger economy. In particular, the book applies economic methods and theories to the study of the fine arts and performing arts, as well as public policy toward the arts. Why should this be studied?

Subfields: Urban Studies, Visual Arts and Performing Arts

View Paper: https://www.semanticscholar.org/paper/9da763508c4155da2066bfbc666eab934c134210

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Urban Studies

1. Jason Potts
2. John Hartley
3. Stuart Cunningham
4. Paul Ormerod
5. Peter Nijkamp
6. Justin O'Connor

In Visual Arts and Performing Arts

1. John Hartley
2. Stuart Cunningham
3. Paul Ormerod
4. Jason Potts

Citations in the corpus

• Social network markets: a new definition of the creative industries (2008, background): “(e.g. Baumol and Bowen 1966, Throsby 1994, Heilbrun and Gray 2000 ).”
• An advanced triple-helix network model for smart cities performance (2011, background): “Since Florida’s (2002) ideas on the creative class, the creative industry and the creative city, an avalanche of studies has been undertaken to study the features and success conditions of creative environments (see e.g., Fusco Girard et al., 2009; Gabe, 2006; Heilbrun and Gray, 1993; Hesmondhalgh, ”