Automatic music transcription: challenges and future directions
By Emmanouil Benetos, Simon E. Dixon, Dimitrios Giannoulis, Holger Kirchhoff, Anssi Klapuri. Journal of Intelligence and Information Systems, 2013
328 citations recorded by the source corpus.
Subfields: Computer Vision and Pattern Recognition, Signal Processing
View Paper: https://www.semanticscholar.org/paper/96c1d283995fa03452835082d88b04e5eb87c1dc
How researchers see this paper
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In Computer Vision and Pattern Recognition
- Jesse Engel
- Curtis Hawthorne
- Adam Roberts
- Ian Simon
- Luc Van Gool
- Colin Raffel
- Yi-Hsuan Yang
- Yu-Siang Huang
In Signal Processing
Citations in the corpus
- Onsets and Frames: Dual-Objective Piano Transcription (2017, background): “[3] noted in their review paper in 2013, “evaluating the performance of current [automatic music transcription] systems for the estimation of note dynamics has not yet been addressed.”
- Automatic Music Transcription: An Overview (2019, background): “, notes and percussive sounds) that are meant to be highly correlated over both time and frequency, AMT is still considered a challenging and open problem in the literature, particularly for music containing multiple instruments and many simultaneous notes (called polyphonic music in the music signa”
- M4Singer: A Multi-Style, Multi-Singer and Musical Score Provided Mandarin Singing Corpus (2022, background): “Note-level automatic music transcription (AMT) refers to converting a recorded music piece into its symbolic form containing the onset, offset, and pitch of every note [3; 32].”
- Multi-resolution linear prediction based features for audio onset detection with bidirectional LSTM neural networks (2014, unknown): “Automatic detection of events in audio signals is exploited in many audio applications including content delivery, compression, indexing, retrieval [1], automatic music transcription [2, 3, 4, 5, 6], and beat detection [7].”