Perception and Production of Syncopated Rhythms

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Audio Features Underlying Perceived Groove and Sensorimotor Synchronization in Music (2016, background): “…locations and the sounding of events at weak metric locations, inherently plays with our temporal expectations and has been postulated to underlie our affective responses to music (Fitch & Rosenfeld, 2007; Huron, 2006), as has been recently shown (Keller & Schubert, 2011; Witek et al., 2014).”
Sensorimotor synchronization: A review of recent research (2006–2012) (2013, background): “Fitch and Rosenfeld (2007) used nonisochronous rhythms varying in degree of syncopation.”
Finding the beat: a neural perspective across humans and non-human primates (2015, background): “Although studies with humans have used the SCT task, generally with isochronous sequences, humans can spontaneously entrain to non-isochronous sequences, as well, if they have a temporal structure that induces beat perception [23–25].”