The rise of the creative class, revisited

By Richard Florida. 2012

743 citations recorded by the source corpus.

View Paper: https://www.semanticscholar.org/paper/7eee49e44c1ec6f9d83c8ad35ad0084516bdba90

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In Urban Studies

Citations in the corpus

Creative economy policy in developing countries: The case of Indonesia (2017, background): “These entrepreneurs formed so-called ‘creative communities’, that is, associations of creative entrepreneurs – which clearly have a different meaning from that mentioned in the literature (cf. Florida, 2012; Markusen, 2006).”
The Dynamics of Crowdfunding: An Exploratory Study (2014, background): “Another geographic effect theorized by researchers, especially Florida (2002, 2004, 2012), is that the underlying talent of an area's population can affect the relative creative productivity of a geographic area.”
The Human Capital Hoax: Work, Debt and Insecurity in the Era of Uberization (2017, background): “What some commentators call ‘free agents’ (Pink, 2002) and the ‘creative class’ (Florida, 2012) are no longer alienated from the means of production like past Corresponding author: Peter Fleming, Cass Business School, City, University of London, 106 Bunhill Row, London EC1Y 8TZ, UK.”
The Contribution of the Creative Economy to the Resilience of Rural Communities: Exploring Cultural and Digital Capital (2016, background): “…visual and performing arts, publishing, television and radio (Department of Culture Media and Sport 2001).1 Following Richard Florida’s key texts (Florida 2002, 2012), the creative economy has more commonly been understood in the urban context, with buzzy creative cities, cultural quarters and…”
Municipal statecraft (2018, background): “But the second edition of the book (Florida, 2012) retreats from these very same growth models.”
Does urban form matter for innovation productivity? A national multi-level study of the association between neighbourhood innovation capacity and urban sprawl (2019, background): “SBIR Some of these studies focus on the built environmental preferences of the creative class as talented human capital (Florida, 2002, 2014).”
The Creative Class and Economic Development (2014, background): “The literature, including my own work, identifies three factors that shape the flow and determine the divergent levels of talent and skill across regions (Florida, 2002, 2012c).”