Music type classification by spectral contrast feature
By Dan-Ning Jiang, Lie Lu, HongJiang Zhang, Jianhua Tao, Lianhong Cai. Proceedings. IEEE International Conference on Multimedia and Expo, 2002
392 citations recorded by the source corpus.
Subfields: Computer Vision and Pattern Recognition, Signal Processing
View Paper: https://www.semanticscholar.org/paper/76dc24e142c0f5199fdbf11400b877ab32be6108
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Computer Vision and Pattern Recognition
- Dacheng Tao
- Luc Van Gool
- Ming-Ming Cheng
- Douglas Eck
- Ming-Hsuan Yang
- Shuicheng Yan
- Yoshua Bengio
- Kristen Grauman
In Signal Processing
- HongJiang Zhang
- Yoshua Bengio
- Douglas Eck
- Lie Lu
- Philippe Hamel
- Douglas R. Turnbull
- Guojun Lu
- Dengsheng Zhang
Citations in the corpus
- A Survey of Audio-Based Music Classification and Annotation (2011, background): “It has shown in many mood classification systems [25], [27], [75] that OSC is more preferable”
- State of the Art Report: Music Emotion Recognition: A State of the Art Review (2010, background): “Their feature collection consisted of MFCCs, chroma [56], statistical spectrum descriptors (including centroid, flux, and rolloff, depicted in Figure 4) [57], and octave-based spectral contrast [58].”
- Automatic mood detection and tracking of music audio signals (2006, methodology): “A summary of the used features and the corresponding definitions is listed in Table I. More details on the computation of all the listed features can be found in references [4], [ 5 ], and [26].”
- Temporal Pooling and Multiscale Learning for Automatic Annotation and Ranking of Music Audio (2011, background): “Octave-based spectral contrast features [11] have been shown to also outperform MFCCs for genre classification.”