The Warhol economy : how fashion, art, and music drive New York City

By Elizabeth Currid. 2007

331 citations recorded by the source corpus.

Subfields: Urban Studies, Visual Arts and Performing Arts

View Paper: https://www.semanticscholar.org/paper/698f06a98849ed06e2f2013b74b48178da979030

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Citations in the corpus

Does urban form matter for innovation productivity? A national multi-level study of the association between neighbourhood innovation capacity and urban sprawl (2019, background): “However, at the local scale, place-based clusters in the form of creative districts, hubs and quarters are also theorised to support innovation productivity by supporting faceto-face contact and knowledge exchange (Currid, 2008; Storper and Venables, 2004).”
The city as innovation machine (2017, neutral): “Music is among the most highly concentrated of all activities (Adler, 2014; Agrawal, Catalini, & Goldfarb, 2011; Currid, 2007; Florida & Jackson, 2010; Florida, Mellander, & Stolarick, 2010, 2012; Markusen & Schrock, 2006; Storper & Christopherson, 1987).”
How Do Cultural Producers Make Creative Decisions?: Lessons from the Catwalk (2009, background): “Because social networks in creative industries emerge and evolve in specific urban settings (Currid 2007; Rantisi 2002), a “shared city location” variable was created, with a “1” indicating that two fashion houses presented their collection in the same city and a “0” indicating that two fashion…”
The dynamics of interfirm networks along the industry life cycle: The case of the global video game industry, 1987–2007 (2013, background): “Interfirm collaborations in creative industries serve not only as conduits of information flows but also as hierarchies of reputation and status (Currid, 2007; Heebels and Boschma, 2011).”
Social network markets: a new definition of the creative industries (2008, methodology): “The software component of the standard creative industries classification is thus also part of social network services, as is the design and operation of physical social spaces (Jacobs 1969; Currid 2007).”
How Art and Culture Happen in New York (2007, background): “Since 1940, art and culture have consistently been the third or fourth largest employers for the New York City metropolitan area, employing almost as many people as the financial industry (Currid, 2007).”
Staying Power: What Influences Micro-firm Survival in Tourism? (2013, background): “To gain this reputation and to become visible for potential customers it is important to be geographically close to established firms with a renowned reputation (Currid 2007).”