Spatiotemporal Saliency in Dynamic Scenes
By Vijay Mahadevan, Nuno Vasconcelos. IEEE Transactions on Pattern Analysis and Machine Intelligence, 2010
437 citations recorded by the source corpus.
Subfields: Computer Vision and Pattern Recognition
View Paper: https://www.semanticscholar.org/paper/62eb421cdac9de9255578f14fba55146d958be44
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Computer Vision and Pattern Recognition
- Wenguan Wang
- Jianbing Shen
- Ling Shao
- Ming-Ming Cheng
- Ming-Hsuan Yang
- Luc Van Gool
- Haibin Ling
- Ali Borji
Citations in the corpus
- ViBe: A Universal Background Subtraction Algorithm for Video Sequences (2011, background): “The authors of [19] were inspired by the biological mechanism of motion-based perceptual grouping.”
- Revisiting Video Saliency Prediction in the Deep Learning Era (2021, background): “Some of these studies [11], [58], [59] can be viewed as extensions of existing static saliency models with additional motion features.”
- Video Processing From Electro-Optical Sensors for Object Detection and Tracking in a Maritime Environment: A Survey (2016, methodology): “Mahadevan and Vasconcelos [152] combined the discriminant saliency approach of [151] and mixture of dynamic textures [142] for determining spatially normal (high probability distributions) and temporally normal (high probability events) features of the videos with the moving crowd in urban scenarios”
- Consistent Video Saliency Using Local Gradient Flow Optimization and Global Refinement (2015, methodology): “Similarly, Mahadevan and Vasconcelos [8] combined center-surround saliency with the dynamic textures for spatiotemporal saliency using the saliency model in [6].”
- Saliency-aware geodesic video object segmentation (2015, background): “These saliency methods [14, 20, 28, 26, 13, 21], however, usually build their system as a simple combination of existing image saliency models with motion cues.”
- State-of-the-Art in Visual Attention Modeling (2013, background): “Gao and Vasconcelos [146] argued that for recognition, salient features are those that best distinguish a class of interest from all other visual classes.”
- Visual Saliency Based on Scale-Space Analysis in the Frequency Domain (2013, neutral): “F”
- Revisiting Video Saliency: A Large-Scale Benchmark and a New Model (2018, background): “Some of those studies [14, 41, 52] can be viewed as extensions of exiting static saliency models with additional motion features.”
- Coupled ensemble graph cuts and object verification for animal segmentation from highly cluttered videos (2015, neutral): “However, the availability of methods that are robust and generic enough to handle the complexities of most natural dynamic scenes is still very limited [7] [8].”
- Ensemble Video Object Cut in Highly Dynamic Scenes (2013, methodology): “The data used for our performance evaluation consists of existing benchmark datasets and our in-house wildlife monitoring videos: (A) WavingTrees [25]; (B) Fountain [23]; (C) Combination with 9 complex scenes [13, 12]; (D) WaterObject with a jug floating on the rippling water [27]; (E) RainCar with ”
- Gaze Prediction in Dynamic 360° Immersive Videos (2018, background): “Some work also attempts to use low-level appearance and motion cues as inputs or extend deep learning approaches to more complex scenarios such as stereo images [9] or videos [4] [7] [11] [31] [35] [32] [16] [12] [6] [18].”
- Video Salient Object Detection via Fully Convolutional Networks (2017, background): “Early models [52]–[54] can be viewed as simple extensions of exiting static saliency models with extra temporal dimension.”
- Camera-trap images segmentation using multi-layer robust principal component analysis (2017, background): “Nevertheless, there are not enough methods that can handle the complexity of natural dynamic scenes [5].”
- Saliency-Aware Video Object Segmentation (2018, methodology): “Similarly, Mahadevan et al. [14] combined center-surround saliency with dynamic textures for spatiotemporal saliency using the saliency model in [47].”