The Timbre Toolbox: extracting audio descriptors from musical signals.
By Geoffroy Peeters, Bruno L. Giordano, P. Susini, N. Misdariis, S. McAdams. Journal of the Acoustical Society of America, 2011
421 citations recorded by the source corpus.
Subfields: Computer Vision and Pattern Recognition, Signal Processing
View Paper: https://www.semanticscholar.org/paper/540db9a831c2d31f14a9ab07b1452984e8467d22
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Computer Vision and Pattern Recognition
- Xavier Serra
- Xavier Favory
- Frederic Font
- Jong Wook Kim
- Rachel M. Bittner
- Aparna Kumar
- Juan Pablo Bello
- Eduardo Fonseca
In Signal Processing
- Xavier Serra
- Xavier Favory
- Frederic Font
- Eduardo Fonseca
- Jong Wook Kim
- Rachel M. Bittner
- Tanja Schultz
- Aparna Kumar
Citations in the corpus
- Search Result Clustering in Collaborative Sound Collections (2020, methodology): “Combining these different types of features enables the representation of the timbre of musical instruments or more high-level characteristics such as music moods and genres [11, 18, 23, 31, 41].”
- TSFEL: Time Series Feature Extraction Library (2020, methodology): “Finally, the goniometer _ y _ Slope is an adequate feature to discriminate between sit-to-stand and stand-to-sit.”
- Neural Music Synthesis for Flexible Timbre Control (2018, background): “Timbre is often modeled using a timbre space [8], in which similar timbres lie closer than dissimilar timbres.”