FEELTRACE: an instrument for recording perceived emotion in real time

By R. Cowie, Ellen Douglas-Cowie, Susie Savvidou, Edelle McMahon, M. Sawey, Marc Schröder. 2000

674 citations recorded by the source corpus.

View Paper: https://www.semanticscholar.org/paper/5b35fe6950db00ad32f6af8ad0162028e15c2f27

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Citations in the corpus

AVEC 2012: the continuous audio/visual emotion challenge (2012, methodology): “The raters annotated the four dimensions in continuous time and continuous value using a tool called FeelTrace [3], and the annotations are often called traces.”
EEG-Based Emotion Recognition in Music Listening (2010, methodology): “After each run, the subjects were requested to report the emotional states (joy, anger, sadness, and pleasure) to each music excerpt based on what they felt via a tool FEELTRACE [25] for labeling on a 2-”
Recognising realistic emotions and affect in speech: State of the art and lessons learnt from the first challenge (2011, background): “Moreover, the choice of recording and annotation tools such as FEELTRACE (Cowie et al., 2000) inevitably restricts the choice of phenomena that can be taken care of.”
Describing the emotional states that are expressed in speech (2003, methodology): “We have reported experiments designed to validate the system with these features (Cowie et al., 2000).”
Modeling naturalistic affective states via facial and vocal expressions recognition (2006, methodology): “Data Set Subjects 2 males, 2 females Passages 76 Tunes ~1600 Emotion space coverage Yes, all quadrants FeelTrace ratings 4 rators Transcripts Yes Text Post-Processing No Figure 1.”
The New Handbook of Methods in Nonverbal Behavior Research (2008, background): “2000), perhaps combining forced-choice with free description (as proposed by Rosenthal 1982) or using computer tools for continuous measurement of emotion perception from voice cues (Cowie et al. 2000).”
What are emotions? And how can they be measured? (2005, background): “While several instruments have been proposed that ask judges to conjointly evaluate two dimensions, such as valence and arousal (Cowie et al., 2000; Russell et al., 1989) or pleasantness and unpleasantness (Larsen et al.”
Emotional speech synthesis: a review (2001, background): “as synthesis of emotional speech, a listener-oriented taxonomy like the FEELTRACE dimensions [27] may be a”
Aff-Wild: Valence and Arousal ‘In-the-Wild’ Challenge (2017, methodology): “We did not want to judge valence and arousal at the same time, like in Feeltrace, because it would be too cognitively demanding to reach a high quality on both.”
Analysing Affective Behavior in the First ABAW 2020 Competition (2020, methodology): “Four experts annotated Aff-Wild2 with respect to valence and arousal, using the method proposed in [6].”
The AMI meeting corpus (2005, background): “report summarizing the remote control scenario meetings or in third party textual summaries; • Emotion in the style of FeelTrace [11] rated against”
Mood measurement with Pick-A-Mood: review of current methods and design of a pictorial self-report scale (2016, unknown): “, 1989) and ‘FeelTrace’ (Cowie et al., 2000) ask respondents to point to a spot in a two dimensional space that represents a degree of pleasure and arousal.”
Features and classifiers for emotion recognition from speech: a survey from 2000 to 2011 (2012, background): “Very good reviews of emotional databases are given in Douglas-Cowie et al. (2003), Cowie et al. (2005) and Navas et al. (2006). In these reviews, it is mentioned that the payoff of a correctly created database would be tremendous and that technology is capable of keeping the research going in spite ”
Paralinguistics in speech and language - State-of-the-art and the challenge (2013, background): “In addition to a continuous representation, annotation over time is becoming ‘more continuous’ for short term speaker states by real-time labelling per dimension (sliders can be shifted with a sampling frequency of 10 ms, for example with the Feeltrace toolkit (Cowie et al., 2000)).”
Analysis of EEG Signals and Facial Expressions for Continuous Emotion Detection (2016, methodology): “Spontaneous behavioral reactions were also used for video highlight detection.”
Emotion representation, analysis and synthesis in continuous space: A survey (2011, background): “arousal) to model and assess affect from speech [21], [22].”