From 3D reconstruction to virtual reality: A complete methodology for digital archaeological exhibition

By F. Bruno, S. Bruno, G. Sensi, M. Luchi, S. Mancuso, M. Muzzupappa. 2010

471 citations recorded by the source corpus.

Subfields: Aerospace Engineering, Computer Vision and Pattern Recognition, Geology

View Paper: https://www.semanticscholar.org/paper/5a226a78c8221373be4100182f37e2312e8624a9

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Aerospace Engineering

1. Fabio Remondino
2. Ismael Colomina
3. Mike R. James
4. Stuart Robson
5. Pere Molina

In Computer Vision and Pattern Recognition

1. Fabio Remondino
2. Geert J. Verhoeven
3. Mike R. James
4. Stuart Robson

In Geology

1. Fabio Remondino
2. Ismael Colomina
3. Pere Molina
4. Mike R. James
5. Stuart Robson

Citations in the corpus

• Towards a three-dimensional cost-effective registration of the archaeological heritage (2013, methodology): “Furthermore, 3D technologies are frequently used in the reconstruction (e.g. Fatuzzo et al., 2011; Rua and Alvito, 2011) and the presentation (e.g. Bruno et al., 2010; Chow and Chan, 2009; Plets et al., 2012b; Tsiafakis et al., 2004) of the archaeological heritage.”
• A Survey of Augmented, Virtual, and Mixed Reality for Cultural Heritage (2018, background): “Bruno et al. (2010) demonstrate its use in the DCH domain.”
• Heritage Recording and 3D Modeling with Photogrammetry and 3D Scanning (2011, background): “Indeed remote sensing technologies and methodologies for Cultural Heritage 3D documentation and modeling [10] allow the generation of very realistic 3D results (in terms of geometric and radiometric accuracy) that can be used for many purposes, such as historical documentation [11,12], digital prese”
• Light at the end of the tunnel: Visitors' virtual reality (versus in-person) attraction site tour-related behavioral intentions during and post-COVID-19 (2021, background): “, 2018; Lee, Jung, tom Dieck, & Chung, 2020) or to offer an enhanced user experience (Bruno et al., 2010).”
• The Influence of Mixed Reality on Satisfaction and Brand Loyalty in Cultural Heritage Attractions: A Brand Equity Perspective (2020, background): “Mixed reality content has traditionally been used for games [2], education [3], training [4], tourism [5], and cultural exhibitions [6].”