RAVE: A variational autoencoder for fast and high-quality neural audio synthesis
By Antoine Caillon, Philippe Esling. 2021
181 citations recorded by the source corpus.
Deep generative models applied to audio have improved by a large margin the state-of-the-art in many speech and music related tasks. However, as raw waveform modelling remains an inherently difficult task, audio generative models are either computationally intensive, rely on low sampling rates, are complicated to control or restrict the nature of possible signals. Among those models, Variational AutoEncoders (VAE) give control over the generation by exposing latent variables, although they usually suffer from low synthesis quality. In this paper, we introduce a Realtime Audio Variational autoEncoder (RAVE) allowing both fast and high-quality audio waveform synthesis. We introduce a novel two-stage training procedure, namely representation learning and adversarial fine-tuning. We show that using a post-training analysis of the latent space allows a direct control between the reconstruction fidelity and the representation compactness. By leveraging a multi-band decomposition of the raw waveform, we show that our model is the first able to generate 48kHz audio signals, while simultaneously running 20 times faster than real-time on a standard laptop CPU. We evaluate synthesis quality using both quantitative and qualitative subjective experiments and show the superiority of our approach compared to existing models. Finally, we present applications of our model for timbre transfer and signal compression. All of our source code and audio examples are publicly available.
Subfields: Artificial Intelligence, Generative Models, Speech & Audio, Signal Processing
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Artificial Intelligence
- Yossi Adi
- Gabriel Synnaeve
- Jade Copet
- Alexandre D'efossez
- Hubert Siuzdak
- Wei-Ning Hsu
- Ronan Collobert
- Emmanuel Dupoux
In Generative Models
In Speech & Audio
- Yossi Adi
- Gabriel Synnaeve
- Jade Copet
- Alexandre D'efossez
- Hubert Siuzdak
- Wei-Ning Hsu
- Jinyu Li
- Sheng Zhao
In Signal Processing
- Yossi Adi
- Gabriel Synnaeve
- Jade Copet
- Alexandre D'efossez
- Hubert Siuzdak
- Wei-Ning Hsu
- Jinyu Li
- Sheng Zhao
Citations in the corpus
- High Fidelity Neural Audio Compression (2022, methodology): “Finally, our best model, EnCodec , reaches state-of-the-art scores for speech and for music at 1.5, 3, 6, 12 kbps at 24 kHz, and at 6, 12, and 24 kbps for 48 kHz with stereo channels.”
- Vocos: Closing the gap between time-domain and Fourier-based neural vocoders for high-quality audio synthesis (2023, background): “Pasini & Schl¨uter (2022) were able to successfully model the magnitude and phase spectrum of audio with higher frequency resolution, although it required multi-step training (Caillon & Esling, 2021), because of the adversarial objective instability.”
- Musika! Fast Infinite Waveform Music Generation (2022, unknown): “As an exception, RAVE [7] achieves real-time synthesis by encoding raw audio of a specific domain with a variational autoencoder [8] into a compact latent space and using a lightweight autoregressive model to generate codes: however, the short receptive field of the autoregressive model does not…”
- SingSong: Generating musical accompaniments from singing (2023, unknown): “(Hawthorne et al., 2018; Engel et al., 2019; Hawthorne et al., 2022b), or performance characteristics (Caillon & Esling, 2021; Engel et al., 2020).”