Rhythm in Music: What is it? Who has it? And Why?
By John Bispham. 2006
145 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience, Developmental Biology, Music
View Paper: https://www.semanticscholar.org/paper/4bb4fcb344200b22a9bb98a94700d76d8ae9681a
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Cognitive Neuroscience
- Beatriz Ilari
- Sebastian Kirschner
- G. Woodruff
- Aniruddh D. Patel
- Ian Cross
- Edward Hagen
- Peter Hammerstein
- John R. Iversen
In Developmental Biology
- Beatriz Ilari
- G. Woodruff
- Sebastian Kirschner
- Aniruddh D. Patel
- Ian Cross
- Edward Hagen
- Peter Hammerstein
In Music
- G. Woodruff
- Sebastian Kirschner
- Aniruddh D. Patel
- Ian Cross
- Edward Hagen
- Peter Hammerstein
- Beatriz Ilari
Citations in the corpus
- Music as a communicative medium (2009, background): “However, only in music will entrainment be consistently and continuously oriented around a regular pulse (Bispham, 2006).”
- The evolutionary nature of musical meaning (2009, background): “The ability to produce and to entrain to a regular auditory stimulus through processes of mutual adjustment of period and phase may well constitute a species-specific capacity (Bispham, 2006) (there exist no rigorous tests of this capacity in non-human primates).”
- Did Neanderthals and other early humans sing? Seeking the biological roots of music in the territorial advertisements of primates, lions, hyenas, and wolves (2009, background): “…be directed towards adolescent and adult members of the opposite sex; it exhibits rhythm, presumably to synchronize group performances (Merker, 2000; Bispham, 2006); and it is, in most cases, the cooperative product of a group, something not easily explained by individual competition for mates.”
- Joint Drumming in Brazilian and German Preschool Children (2014, background): “Such social cohesion may have ultimately promoted cooperation and mutual assistance among the group members (e.g., Bispham, 2006; Cross, 2007; McNeill, 1995; Roederer, 1984).”
- Music, biological evolution, and the brain (2010, background): “…it from language, such as discrete pitches (allowing voices to blend together in song) and a distinct beat (enabling synchronized movement through time), which facilitate coordination between individuals and can promote a shared sense of identity and purpose (McNeill, 1995; Bispham, 2006).”