A sound analysis/synthesis system based on a deterministic plus stochastic decomposition

By Xavier Serra, Jacqui Smith, A. Aydin. 1990

How researchers see this paper

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DDSP: Differentiable Digital Signal Processing (2020, methodology): “One of the reasons that SMS is more expressive than many other parametric models because it has so many more parameters.”
Perceptual coding of digital audio (2000, methodology): “[212], [213] and music synthesis [214] algorithms that have been available for some time, the ASAC coder also incorporates some new techniques.”
Vocaine the vocoder and applications in speech synthesis (2015, methodology): “Similar notable work was made by the audio processing community with the Sinusoids-plus-Noise model [7] and IRCAM’s Super Vocoder Phase [8].”
A tutorial on onset detection in music signals (2005, methodology): “Transient signals are analyzed by a sinusoidal analysis/synthesis similar to SMS on the discrete cosine transform of the residual, hence in a pseudo-temporal domain.”
A Universal Music Translation Network (2018, methodology): “First, the signal is analyzed to extract pitch and timbre (using harmonics tracking) and then it is converted to another monophonic instrument, using a known timbre model [23].”