Polynomial texture maps

By T. Malzbender, Dan Gelb, H. Wolters. International Conference on Computer Graphics and Interactive Techniques, 2001

706 citations recorded by the source corpus.

Subfields: Computational Mechanics, Computer Graphics and Computer-Aided Design, Computer Vision and Pattern Recognition

View Paper: https://www.semanticscholar.org/paper/25391135edacdf1d4a33a6ab7b72d746e920727c

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Computational Mechanics

1. Harry Shum
2. Ligang Liu
3. Michael K. Reiter
4. Baining Guo
5. Xin Tong
6. Olga Sorkine-Hornung
7. Doug L. James
8. Christopher D. Twigg

In Computer Graphics and Computer-Aided Design

1. Harry Shum
2. Ligang Liu
3. Michael K. Reiter
4. Jingdan Zhang
5. Xi Wang
6. Baining Guo
7. Xin Tong
8. John M. Snyder

In Computer Vision and Pattern Recognition

1. Baining Guo
2. Harry Shum
3. Bernt Schiele
4. Ligang Liu
5. Michael K. Reiter
6. Xin Tong
7. John M. Snyder
8. Jan Kautz

Citations in the corpus

• Adversarial Generative Nets: Neural Network Attacks on State-of-the-Art Face Recognition (2018, methodology): “ varying illumination conditions, we modeled how light intensity (luminance) affects eyeglasses and incorporated the models in AGN training. Specifically, we used the Polynomial Texture Maps approach [46] to estimate degree-3 polynomials that map eyeglasses’ RGB values under baseline luminance to va”
• Lambertian reflectance and linear subspaces (2001, neutral): “[24]).”
• Precomputed Radiance Transfer for Real-Time Rendering in Dynamic, Low-Frequency Lighting Environments (2002, background): “By precomputing a higher-dimensional texture, polynomial texture maps [ 30 ] allow real-time interreflection effects as well as shadowing.”
• Synthesis of bidirectional texture functions on arbitrary surfaces (2002, methodology): “Existing BTF synthesis methods [5, 12, 13] are designed for 2D rectangles [12] or rectangular surface patches [5, 13], different lighting directions [15].”