ON THE VOCAL EXPRESSION OF EMOTION. A MULTI-PARAMETRIC ANALYSIS OF DIFFERENT STATES OF AVERSION IN THE SQUIRREL MONKEY
By Claudia Fichtel, K. Hammerschmidt, Uwe Jürgens. 2001
132 citations recorded by the source corpus.
Subfields: Developmental Biology, Pharmacy, Social Psychology
View Paper: https://www.semanticscholar.org/paper/22964deceb753f16b404bd79747889c1bb2d7f6c
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Developmental Biology
- Claudia Fichtel
- Peter M. Kappeler
- E. Briefer
- Julie Gros-Louis
- S. Perry
- K. Zuberbühler
- Fabien Genin
- M. Eberle
In Pharmacy
In Social Psychology
- E. Briefer
- Claudia Fichtel
- Peter M. Kappeler
- Julie Gros-Louis
- Jaak Panksepp
- S. Perry
- K. Zuberbühler
- M. Eberle
Citations in the corpus
- Vocal Repertoire of Cebus capucinus: Acoustic Structure, Context, and Usage (2008, background): “More convincing support comes from empirical observations of changes in call structure in a variety of species in which researchers experimentally manipulated affective states ( Fichtel et al. 2001; Watts et al. 1999; Weary et al. 1998).”
- Anti-predator behavior of group-living Malagasy primates: mixed evidence for a referential alarm call system (2002, background): “However, in a study of emotional correlates of squirrel monkey (Saimiri sciureus) vocalizations, Fichtel et al. (2001) showed that increased arousal is reflected in call structure by an upward shift of maximal energy in the power spectrum, an increase in frequency range and/or an increase in the r”
- Vocal Expression of Emotions in Mammals: Mechanisms of Production and Evidence (2012, background): “…D E Alarm vocalizations 12, 15, 16 Fichtel & Hammerschmidt (2003) 41 A/V E E Eight different aversive/rewarding call types 1, 5, 15, 16, 18, 20, 24 Fichtel et al. (2001) 42 Thomas’s langur Presbytis thomasi A E/D O Loud calls 1, 3, 4, 5 Wich et al. (2009) 43 Tufted capuchin Cebus apella A E E…”
- On the Embodied Neural Nature of Core Emotional Affects (2005, background): “Distinct affective dynamics are also evident in emotional vocalizations (Fichtel et al., 2001), which may be artistically rendered to enhance the emotional qualities of music (Clynes, 1978; Panksepp & Bernatzky, 2002).”