A new model of LPC excitation for producing natural-sounding speech at low bit rates
By B. Atal, J. Remde. 1982
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
- Masanori Morise
- Tomoki Toda
- Xu Tan
- Junichi Yamagishi
- Bhaskar D. Rao
- David Paul Wipf
- Jan Skoglund
- Hideki Kawahara
Citations in the corpus
- LPCNET: Improving Neural Speech Synthesis through Linear Prediction (2018, methodology): “This is similar to the effect of analysis-by-synthesis in CELP [17, 18] and greatly reduces the artifacts in the synthesized speech.”
- Composition of Deep and Spiking Neural Networks for Very Low Bit Rate Speech Coding (2016, methodology): “In the context of speech coding, NNs are used in waveformapproximating coders, a family of coders originated in [26], [27], to address either improving quality or reducing com-”
- Excitation source analysis for high-quality speech manipulation systems based on an interference-free representation of group delay with minimum phase response compensation (2014, background): “It have been observed that introduction of relevant phase related information (explicitly or implicitly) into these models provides better perceptual quality of processed sounds [21, 18, 22, 17].”
- Sparse solutions to linear inverse problems with multiple measurement vectors (2005, methodology): “Simple procedures were implemented initially [16], [17], while more complex algorithms were developed later which yielded improved results [7], [8], [18]–[22].”
- Introduction to Data Compression (2005, background): “In 1982, Atal and Remde [230] introduced the idea of multipulse linear predictive coding (MP-LPC), in which several pulses were used during each segment.”
- Introduction to Digital Speech Processing (2007, methodology): “The first analysis-by-synthesis coder was called multi-pulse linear predictive coding [4].”
- Regular-pulse excitation-A novel approach to effective and efficient multipulse coding of speech (1986, methodology): “This filter, which serves as an error weighting function, plays the same role as the feedback filter in adaptive predictive coding with noise shaping (APC-NS) [7] and the weighting filter in multipulse excitation (MPE) coders [ 2 ].”
- Techniques for Harmonic Sinusoidal Coding (1997, methodology): “2 Multipulse-Excited LPC Multipulse coders [26] model the residual, ( ) n r , using a series of pulses.”