Automatic Musical Genre Classification of Audio Signals
By George Tzanetakis. International Society for Music Information Retrieval Conference, 2001
440 citations recorded by the source corpus.
View Paper: https://www.semanticscholar.org/paper/16109ffe9d0a10e40703a3888271b3af770eaf16
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
- Michael A. Casey
- Philippe Hamel
- Douglas Eck
- Jean-Julien Aucouturier
- Remco C. Veltkamp
- François Pachet
- Marc Leman
- Martin F. McKinney
Citations in the corpus
- Learning Features from Music Audio with Deep Belief Networks (2010, methodology): “The dataset was introduced in [24], and have since been used as a reference for the genre recognition task.”
- Musical genre classification of audio signals (2002, background): “Reference [17] contains some early work and preliminary results in automatic musical genre classification.”
- Content-based organization and visualization of music archives (2002, background): “A more practical approach to the topic was presented in [31] where music given as raw audio is automatically classified into genres based on musical surface and rhythm features.”
- Content-Based Music Information Retrieval: Current Directions and Future Challenges (2008, methodology): “For example, Tzanetakis et al. [ 95 ] developed the BGenreSpace[ interface for browsing music collections in a threedimensional space into which musical pieces are projected according to their similarity.”
- Features for audio and music classification (2003, result): “In comparison to results of other studies of music genre classification (Tzanetakis et al., 2001; Tzanetakis & Cook, 2002), our features looks quite promising.”
- Music Similarity Measures: What's the use? (2002, background): “Among related work in this domain, Automatic Genre Classification ([5]) tries to categorize music titles into genre classes by looking at spectral or temporal signal features.”