Novelty: A mechanism of tourists’ enjoyment
By Ondrej Mitas, Marcel C. M. Bastiaansen. Annals of Tourism Research, 2018
195 citations recorded by the source corpus.
Novelty, conceptualized as the experience of something new and different from the everyday, is widely believed to be what defines tourism experiences and makes them enjoyable. The present study tests the mediating effect of novelty on positive emotions in two longitudinal data sets based on daily psychometric diaries. Findings show that the effect of tourism experience on positive emotions is indeed partly mediated by novelty. The mediation effect is similar for average positive emotions as well as for the emotion of interest, suggesting that novelty sparks positive emotions through goal congruence more than by directly triggering interest. Findings affirm that novelty is indeed fundamental and enjoyable in the tourism experience.
Subfields: Demography, Marketing, Sociology and Political Science
View Paper: https://www.semanticscholar.org/paper/142de403040dfc0eb68735a0a01710b0a73a82c2
How researchers see this paper
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In Marketing
- Chaozhi Zhang
- Drew Martin
- Arch G. Woodside
- Sameer Hosany
- K. Kaplanidou
- Xiang Li
- A. Apostolopoulou
- D. Papadimitriou
In Sociology and Political Science
- Chaozhi Zhang
- Drew Martin
- Arch G. Woodside
- Chao Wei
- Wenlong Zhao
- Keji Huang
- Sameer Hosany
- Hossein Olya
Citations in the corpus
- Emotions in Tourism: Theoretical Designs, Measurements, Analytics, and Interpretations (2020, result): “Other studies (e.g., Lin et al. 2014; Mitas and Bastiaansen 2018; Mitas et al. 2012; Nawijn et al. 2013) also establish that individuals’ self-reported emotions vary in type and intensity throughout the tourism experience.”
- Psychological factors affecting memorable tourism experiences (2019, background): “It significantly affects tourist’s future behavioral intentions (i.e. revisit, repractice, and word-of mouth) and becomes a mechanism of positive emotions across a variety of tourism experiences (Kim et al., 2010; Ondrej & Marcel, 2018).”